Carl Oscar Borg arrived in California from Sweden in 1901 with almost nothing. He became one of the most important painters of the American Southwest, documenting canyon landscapes and Indigenous communities with equal reverence and precision over three decades.

The Grand Canyon held him for years. He returned to it repeatedly, working to understand a landscape that exceeded the vocabulary of any single visit. Each painting is an attempt at comprehension in the face of geological time. Some places take more than one painting. The canyon kept asking him back.

Colombia's Andean Highlands rise steeply where this coffee grows — bright acidity, complex sweetness, a cup that holds its own depth. Borg returned to the canyon until the scale of it became something he could hold in paint. This origin asks the same patience of the drinker. It opens slowly and rewards attention.